Marco Pinter and Morgan DeLucia
Wood, computer, motor, encoder sensor

OCD (Bisections) explores the perceptual impact of small changes, even in geometric work that is seemingly stripped of all content. Tagging work of Donald Judd, Bisections disrupts symmetry and invites discovery of one’s moments of discomfort and perceptual shift. The viewer interacts physically with the work in the same modality in which the work interacts with the viewer, creating a cybernetic loop between object and audience. By addressing scale, volume and mass, the work seeks to engage kinesthetic sympathy with the viewer and create discovery at a somatic level.